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Welcome to Červená Barva Press!


Half my life is an act of revision.
-John Irving

Červená Barva Press books
and chapbooks for sale at
The Lost Bookshelf.
The March 2017 Newsletter is here!
It has been awhile since a newsletter reached your way! Some catch up news. In 2016, we have released the following books:
  • Fire Tongue by Zvi A. Sesling (March, 2016)
  • Secret Letters by Erika Burkart, translated from the German by Marc Vincenz
    (June, 2016)
  • A Peaceful Color From The Silence by Gulnar Ali Balata (September, 2016)
  • Melancolía by Roberto Carlos Garcia (October, 2016)
  • Geography of Love and Exile by Susannah Simpson (December, 2016)
  • Twenty-one Ghazals by Alisher Navoiy/Translated from the Uzbek by Dennis Daly (December, 2016)
Read more here...


Read America Read

Here we go: The next Read America Read Project is Saturday, October 28th.


Old Phone Booth Davis Square Somerville, Ma Bathroom Davis Square Somerville, Ma

Leave a book for someone to take anywhere you want. This time, ask two people you know to do this also. This way the project will grow each month. I would like a book marker to go in every book so people know where they are coming from. Please e-mail me at the following e-mail address and I will send you an e-mail back with the book marker for you to print out and cut. Thank you for being a part of this project. Lets make Soctober 28th great! Send me photos too. I have a list of names of who participated and as this grows, keep letting me know you are doing this. Thanks a zillion. You all rock. Lets get America reading!!!!

e-mail: gloria@read-america-read.org

Thanks so much,
Gloria



Cervena Barva Press Logo

ČERVENÁ BARVA PRESS STUDIO
THE CENTER FOR THE ARTS AT THE ARMORY

Arts for the Armory
Basement, Room B8
191 Highland Avenue
Somerville, MA

ČERVENÁ BARVA PRESS READINGS AND WORKSHOPS


CERVENA BARVA PRESS READING SERIES
FRIDAY OCTOBER 20, 2017, AT 7:00PM

Featuring: Marc Levy | Steve Luttrell | Zofia Provizer

Marc Levy was a medic in Vietnam/Cambodia with the First Cavalry in 1970. His awards include the Silver Star and two Bronze Stars. His work has appeared in New Millennium Writings; Cutthroat; War, Literature and the Arts; Stone Canoe, Mudfish; So It Goes; New Madrid and elsewhere. He recently published How Stevie Nearly Lost the War and Other Postwar Stories. His website is Medic in the Green Time.

Steve Luttrell was born and continues to live in Portland, Maine. He is the author of 5 books of poetry and several chapbooks. His most recent book, PLUMB LINE, was published by North Atlantic Books in May, 2015. Steve is the founding editor of Maine's award winning literary quarterly, THE CAFE REVIEW. He is the former Poet Laureate of Portland, Maine and continues to be a "strong voice" for poetry in the area.

Zofia Provizer is a junior at Lesley University where she is studies Creative Writing and Women and Gender Studies. She has been published by Studio 360, and has read on the air for them. She has also been published by G-R-L magazine, and Teen Ink print magazine. Zofia is very passionate about pop culture and the moon. She tries to only write what's deeply embedded in her heart.

Admission is $3.00. Refreshments served.


Directions & parking:
The Center for the Arts is located between Davis Square and Union Square. Parking is located behind the armory at the rear of the building. Arts at the Armory is approximately a 15 minute walk from Davis Square which is on the MTBA Red Line. You can also find us by using either the MBTA RT 88 and RT 90 bus that can be caught either at Lechmere (Green Line) or Davis Square (Red Line). Get off at the Highland Avenue and Lowell Street stop. You can also get to us from Sullivan Square (Orange Line) by using the MBTA RT 90 bus. Get off at the Highland Avenue and Benton Road stop.




WORKSHOPS

Memory-Mapping and the Concrete Felt-Life Detail
Instructor: Rusty Barnes

Saturday, November 4th
2:30-5:30PM
Class Limit: 8
$75.00

Many stories, true and not, exist in the ephemera of our earliest or most pungent memories, and by memory mapping we can access the specific details that can make the raw materials of a creative piece--poem, fiction, or essay--come to life for readers. Attendees, guided by the instructor's example, will draw--yes, hand-draw--detailed maps of a place--or even a single room--they've known over a long period of time in order to establish and tease out the strains of detail that will reveal character and plot in new and sometimes remarkable ways.

Instructor Rusty Barnes (http://www.rustybarnes.com) grew up in rural northern Appalachia. He received his B.A. from Mansfield University of Pennsylvania and his M.F.A. from Emerson College. His fiction, poetry and nonfiction have appeared in nearly three hundred journals and anthologies. In 2002 he co-founded Night Train, a literary journal which was featured in the Boston Globe, The New York Times, and on National Public Radio, ending its ten-year-run in February 2012, relaunching in 2014 long enough to do a best of anthology and one new print issue, ending its run (again) in 2015. He co-founded and currently edits Tough, a blogazine of crime fiction and occasional reviews (http://www.toughcrime.com).

Among his fourteen published and forthcoming books are a collection of flash fiction, Breaking it Down, and two traditional story collections, Mostly Redneck and Kraj: The Enforcer. His flash fiction appears in Best Small Fictions 2015, edited by Tara Masih and Robert Olen Butler, and he's published well over a hundred and fifty flash fictions.

To purchase through Paypal using your Paypal account or a Credit Card, click the Pay Now button:

By mail: Check or money order to: Cervena Barva Press, PO Box 440357, West Somerville, MA 02144

Cancellation policy: If someone paid and cannot make it, they will be given a full refund. If it is the day of the workshop, person will be given a 90% refund. The 10% will be split between the workshop teacher and press.


Directions & parking:
The Center for the Arts is located between Davis Square and Union Square. Parking is located behind the armory at the rear of the building. Arts at the Armory is approximately a 15 minute walk from Davis Square which is on the MTBA Red Line. You can also find us by using either the MBTA RT 88 and RT 90 bus that can be caught either at Lechmere (Green Line) or Davis Square (Red Line). Get off at the Highland Avenue and Lowell Street stop. You can also get to us from Sullivan Square (Orange Line) by using the MBTA RT 90 bus. Get off at the Highland Avenue and Benton Road stop.




FLASH FICTION
Instructor: Rusty Barnes

Sundays November 5th, 12th, 19th, 26th, December 3rd, December 10th
2:30-5:00
Class Limit: 10
$450.00

With the instructor' assistance, this generative workshop for flash fiction will help the attendee complete six pieces of flash fiction ranging from 300 to 1200 words, within this six-week time frame. Class discussion will include published examples of flash fiction, classic to contemporary, from well-known authors and little-known contemporary masters alike. We'll also discuss the current climate for publishing flash fiction and how best to find markets that match our work.

Instructor Rusty Barnes (http://www.rustybarnes.com) grew up in rural northern Appalachia. He received his B.A. from Mansfield University of Pennsylvania and his M.F.A. from Emerson College. His fiction, poetry and nonfiction have appeared in nearly three hundred journals and anthologies. In 2002 he co-founded Night Train, a literary journal which was featured in the Boston Globe, The New York Times, and on National Public Radio, ending its ten-year-run in February 2012, relaunching in 2014 long enough to do a best of anthology and one new print issue, ending its run (again) in 2015. He co-founded and currently edits Tough, a blogazine of crime fiction and occasional reviews (http://www.toughcrime.com).

Among his fourteen published and forthcoming books are a collection of flash fiction, Breaking it Down, and two traditional story collections, Mostly Redneck and Kraj: The Enforcer. His flash fiction appears in Best Small Fictions 2015, edited by Tara Masih and Robert Olen Butler, and he's published well over two hundred flash fictions.

To purchase through Paypal using your Paypal account or a Credit Card, click the Pay Now button:

By mail: Check or money order to: Cervena Barva Press, PO Box 440357, West Somerville, MA 02144

Cancellation policy: If someone paid and cannot make it, they will be given a full refund. If it is the day of the workshop, person will be given a 90% refund. The 10% will be split between the workshop teacher and press.


Directions & parking:
The Center for the Arts is located between Davis Square and Union Square. Parking is located behind the armory at the rear of the building. Arts at the Armory is approximately a 15 minute walk from Davis Square which is on the MTBA Red Line. You can also find us by using either the MBTA RT 88 and RT 90 bus that can be caught either at Lechmere (Green Line) or Davis Square (Red Line). Get off at the Highland Avenue and Lowell Street stop. You can also get to us from Sullivan Square (Orange Line) by using the MBTA RT 90 bus. Get off at the Highland Avenue and Benton Road stop.


Released September 22, 2017:
Questionable Shapes by David Gullette
David Gullette was one of the first editors of Ploughshares, and has been for many years the Literary Director of the Poets' Theatre. He has published poetry, fiction, memoir and criticism in a wide range of journals, and book-length translations from both Italian and Spanish, with a specialty in Nicaraguan revolutionary poetry. He is Vice President of the Newton/San Juan del Sur (Nicaragua) Sister City Project and Professor Emeritus of English at Simmons College in Boston.

David Gullette describes 'the way we live our only life': the world is kicked awake by our desire;/if not, the loser lies there sunk in sloth./ There is no sunset we do not ignite. A lesser writer would have composed a more "slothful" volume: But the ignition of brilliancies in David Gullette's QUESTIONABLE SHAPES is as dependent on copious learning and the keen sort of intelligence that the Augustans called wit as it is on emotional impulse. The balance and maturity of this book make it a real keeper!
-Sydney Lea, Poet Laureate of Vermont
QUESTIONABLE SHAPES is a book brimming with long-brewed illuminations. "Orbiter Dicta" gives an unforgettable portrait of a lovable dangerous brilliant father. "Disaffiliation" and "What the Catbird Sang" are terrific poignant instances of the eternal farewell to mother. "Superscriptions" and "Fame" are profound meditations on the unappeasable human longing to leave a lasting trace. Questionable shapes as we all are, we need the soul-encouragement that David Gullette's marvelous book so generously and buoyantly provides.
-Mark Halliday, author of Thresherphobe
"What are the strata / of pastness?" a poem in this fine book asks, and David Gullette responds with ghosts, dreams, daydreams, visions-"questionable shapes" that live beneath the surface of richly lived and recorded experience, like "waves breaking deep down under the house." A carefully wrought tension between depth and surface, memory and desire makes this deeply explorative book-with its moments of linguistic whimsy and social commentary-both challenging and engaging.
-Martha Collins, author of Blue Front
$17.00 | ISBN: 978-0-9984253-8-2 | 67 Pages


Released September 22, 2017:
EK: Poems of Ekphrasis by Tree Riesener
Tree Riesener is the author of Sleepers Awake, a collection of short fiction, winner of the Eludia Award from Hidden River Arts, published by Sowilo Press in 2015. Her collection of poetry inspired by astronomy, The Hubble Cantos, was published in 2016 by Aldrich Press. Her achievements include three first prizes for fiction at the Philadelphia Writers Conference, finalist for Black Lawrence Press's Hudson Prize, finalist in PANK magazine's Fiction Chapbook Contest, the William Van Wert Fiction Award, semi-finalist in the Pablo Neruda Competition, three short stories staged in the Writing Aloud Series of InterAct Theatre, Philadelphia, a Hawthornden Fellowship at Hawthornden Castle, Scotland, and three poetry chapbooks: Liminalog, Inscapes, and Angel Poison.

The poems in Tree Riesener's EK: Poems of Ekphrasis hark back to the original meaning of ekphrasis- "to speak" "out." Driven by a kind of surrealistic urgency, the poems use all the language at their disposal to name what they see so that one bird "might escape the net." Whether focusing on works of art, photos, ultrasound images, relics, a bull fight, Chernobyl, or a shrine for a boy struck while bicycling, Riesener is an "eye witness," combining a longing for an "otherworld" with a sharp awareness of the "dead zones" of our making.
-Rebecca Seiferle, Editor of The Drunken Boat, Tucson Poet Laureate, author of Wild Tongue
In the epigraph to EK, Goethe speaks of reproducing the world that surrounds by means of the world within. No argument there as far as it goes - but he may have, in his heart, aimed for more. Tree Riesener applies wit and sometimes ecstatic imagery to form and to literary conceit, clearly aiming for more; beyond reproduction toward provocation; in this case, evoking not just the world but the mystery of encountering it. In EK, such evidence is abundant, first poem to last: "clear bright dense mysterious dusky bluish venous arterial subterranean multi-layered sustaining singing vulnerable scarlet" or "you signed the forms to be present in this room because being here where perpetual light shines upon you is better than being in the prison yard buried under a number"
-Kathryn Rantala, Founder-Editor of Ravenna Press, author of The Finnish Orchestra and other collections
The breadth and range of subjects in Tree Riesener's latest collection, EK: Poems of Ekphrasis, stretch the boundaries of the form, demand attention, enthrall, unsettle, and delight the careful reader. In "annunciation of reluctance," she has captured both Mary's terror and her desire for things to be normal with an unpleasant but quite ordinary migraine, a signal of that surreal occurrence. Brilliant! In a group of poems inspired by the Messiaen musical quartet, written in a concentration camp during WWII, the reader joins her in "searching the ruins of the rainbow for the angel who announces the end of time" (after Katrina). The ending dirge, "owed to thanatopsis gardens," is written for the plastinated bodies in an exhibit. The beautiful questioning meditations on the sublime round out these poems of witness truly written on the body and the soul.
-Michele Belluomini, poet and storyteller, former Literature Librarian of the Free Library of Philadelphia, author of Crazy Mary and Others (winner of Plan B Press chapbook contest), Translations from the Dark and signposts for sleepwalkers.
In this new collection, Riesener's "poems of witness" move into powerful, unexplored worlds of language. What strikes me the most? The vitality and freshness of her work-the beautiful side by side with the ugly and the sacred with the profane. The author dares you to tell the difference.
-John Sweet, author of Famine, Human Cathedrals, and Century of Dreaming Monsters, winner of the 2014 Lummox Poetry Prize
$17.00 | ISBN: 978-0-9981027-6-4 | 114 Pages


Released July 11, 2017:
The Sound of Angels by Ruth C. Chad
The Sound of Angels by Ruth C. Chad
Ruth Chad is a psychologist who works in the Boston area. Her poems have appeared in Montreal Poems, Lyrical Somerville, Ibbetson Street, The Bagel Bard Anthology, The Aurorean, Constellations and The Psychoanalytic Couple and Family Institute of New England, Connection, December 2015. Ruth grew up in Montreal, Quebec and now resides in Newton Highlands, MA. with her husband Mark Friedman.

"Ruth Chad is a poet of whispered intimacies, of living and of dying, of laughter and of sorrow, of the natural world and the metaphysical beyond. She writes as both observer and participant in the ordinary and extraordinary dramas of our existence. Her portraits of her family and especially of her dying father are poignant reflections of experience like our own. There is a tenderness in all of her writing as her short stanzas tumble out into our consciousness to demonstrate and to remind us of our human condition and the contexts within which we live. Hers is a sensitivity to the world about her as she answers the question posed to a spider in her poem 'The Children Have Grown.' She asks the spider to teach her to spin. She has, in fact, spun a web of poems full of insight, fine writing and intimacy."
-Philip E. Burnham, Jr., Winner of the Loft Poetry Prize
"There is both deep sadness and sweetness in Ruth Chad's meditative, moving, imagistic poetry. The sadness comes from loss-lost youth, the change of seasons, children moving away, a parent dying-but that loss breeds a deeper appreciation of life's sweetness, often symbolized by affecting natural imagery. I can't imagine anyone reading these poems without feeling more alive."
-Lawrence Kessenich
$7.00 | 39 Pages | In Stock


Released April, 2017:
The Path of Thunder by Susan Donnelly
Susan Donnelly's latest publication is the chapbook Sweet Gooseberries from Every Other Thursday Press. She is the author of three full collections: Eve Names the Animals (Northeastern University Press), Transit and Capture the Flag (Iris Press), and three other chapbooks. Her poems have appeared in The New Yorker, The Atlantic Monthly, Poetry and many journals, anthologies and textbooks in the U.S. and abroad, as well as on websites, in academic courses, and on blogs. They have also been featured several times on Garrison Keillor's The Writers Almanac. A frequent reader of her poetry in the Boston area and beyond, Susan lives, writes, and offers poetry classes and consultations in Arlington, Massachusetts.

One writer's experiences finding a path in racially divided America.
"The heart opens/ in such unlikely places" writes Susan Donnelly and her poems give us what she sees and understands in those moments, offering us a way to grasp the world in which the heart might stay open. These are poems to be shared across a table, to knit us together, to face us toward the truth of our common life. This is, as Roque Dalton suggested, "Poetry like bread." Wine, too. What a sublime and nourishing book of poems.
-Richard Hoffman, author of Gold Star Road and Emblem
$7.00 | 27 Pages | In Stock


Released April, 2017:
SLOW TRANSIT Stories by Michael C. Keith
Michael C. Keith is the author/coauthor of 30 book volumes and dozens of articles on the subject of radio and broadcast studies. In addition to his non-fiction titles, Keith has published over a dozen creative works, including an acclaimed memoir: The Next Better Place-a young adult novel: Life is Falling Sideways-and 12 short story collections: most recently Perspective Drifts Like a Log on a River. His fiction has been nominated for several awards, among them the Pen/O. Henry Award, the Pushcart Prize, the National Indie Excellence Award, and the International Book Award.
"Michael Keith is doing his part to keep the short story alive in this world of novel, novel, novel... Let us hope he keeps those original stories coming."
-Brad Watson, author Miss Jane
"The characters in Slow Transit transport you to a universe of unfulfilled desires, doubts, and dreams made all the more terrifying by the author's keen sense of the dramas that make life worth living. Highly recommended."
-Ed Hamilton, author The Chintz Age
"Keith's output and beautiful prose continue to rise."
-Adam Johnson, author Fortune Smiles
$18.00 | ISBN: 978-0-9984253-6-8 | 226 Pages


Released December 2, 2016:
Twenty-one Ghazals by Alisher Navoiy Translated from the Uzbek by Dennis Daly
Dennis Daly lives in Salem, Massachusetts with his wife Joanne. They have four adult children. Daly graduated from Boston College and has an MA in English Literature from Northeastern University. He has published three books of poetry: The Custom House (Ibbetson Street Press, 2012), Sophocles' Ajax, a Modern Translation (Wilderness House Press, 2012) and Night Walking with Nathaniel (Dos Madres Press, 2014). Daly's Sophocles' Ajax was subsequently performed at Skidmore College in a production sponsored by that college's Classics Department. Among other jobs Daly has worked as a Union Leader of a 9000 member industrial local, and as a city department head. He has traveled widely in Central Asia. Visit his blog at dennisfdaly.blogspot.com.

"Tulip fields blaze the face of my soul's fire?." So begins one of the twenty-one ghazals in Dennis Daly's elegant translation of the work of the fifteenth-century poet, Alisher Navoiy. The fire that burns through these poems is complemented by stunning illustrations from the era chosen with care by the translator that set off their own quiet conflagrations. In both illumination and interpretation, Daly's skill as wordsmith and designer is coruscating. We are indebted to him for introducing us to this poet and his passion.
-Tom Daley, author of House You Cannot Reach: Poems in the Voice of My Mother and other Poems
Dark-eyed ones come, revealing their inner selves. Alisher Navoiy, or Nizam-al-Din 'Ali-Shir, a fifteenth century poet, mystic and artist, is reawakened in Daly's sublime translations. True to their spirit yet infused with a modern idiom, these ghazals tremble on the tongue, sparkle on the sheaf. A body in flames fires a path through the wilderness, a pinch of skin reminds how close we remain. Here at the source, a cloud hovers. Delectable, delicate, dangerous ... finally, a denouement.
-Marc Vincenz, author of Becoming the Sound of Bees
$18.00 | ISBN: 978-0-9966894-6-5 | 62 Pages


Released December 2, 2016:
"Geography of Love and Exile" by Susannah Simpson
Susannah spent much of her childhood in Kabul, Afghanistan and spoke Farsi as a child. She has been a waitress, a founding member of the Ad Hoc Players, learned to wield a grease gun at at an auto repair garage, worked on locked psychiatric wards and as a Hospice nurse held the hands of the dying. She is the Expressive Writing Specialist at a residential treatment center in West Palm Beach,FL.
In Geography of Love and Exile, Susannah Simpson explores the deepest of human desires: to belong to this world. Through language translucent with longing, she introduces us to her many worlds. We walk with her through the bazaars of Kabul, experience the sensual pleasure of s'mores over a campfire in upstate New York, witness the red-shouldered hawk's shadow "looping across canal water" in Florida. All the while, Simpson's inner landscape-of loss, loneliness, love-accompanies us along the way. To read this remarkable collection is to explore how the places in our lives shape who we are-and sometimes, if we are fortunate, help us to feel a little less alone.
-Mary Reynolds Thompson, author of Embrace Your Inner Wild and Reclaiming the Wild Soul
I couldn't read Geography of Love and Exile without thinking of Zora Neale Hurston's line-"Ships at a distance have every man's wish aboard." Or, I would add, even ships at anchorage, ships moored to the quay, temporarily in port, poised to continue a voyage, contain our yearning, our restlessness, our hunger for both memory and renewal, for unchartered distance and unrelenting intimacy. This, then, is the spirit and the soul of Susannah Simpson's powerful work, each poem a vessel of a journey taken, lost, interrupted, unfinished, redeemed.
-Bob Shaccochis, author of Swimming in the Volcano; The Immaculate Invasion; The Next New World; Domesticity, and The Woman Who Lost Her Soul
$17.00 | ISBN: 978-0-9981027-2-6 | 67 Pages




ABOUT THE PRESS

ČERVENÁ BARVA PRESS was founded in April of 2005. The press solicits poetry, fiction, and plays from various writers around the world, and holds open contests regularly for its chapbooks, postcards, broadsides and full-length books. I look for work that has a strong voice, is unique, and that takes risks with language. Please see submission guidelines for current information. I encourage queries from Central and Eastern Europe.



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